The Loose Wire
The Cast

The Loose Wire · a draft

Made Whole

Wire three, part two. Where the money got pointed.

A policy is a promise you make to people you won't be around to see. That's the whole idea of the thing. GE handed me a good one on account of thirty-one years of crawling behind other folks' refrigerators, and the first thing I did with it, the very first thing, was put my three kids on it in even thirds. I remember doing it. I remember the pen being one of those chained ones at the desk and me thinking, there, that's done, that's the one grown-up thing I've got to show for myself.

I even sat them down and showed them. All three, at the kitchen table in the old place, the paper turned around so they could read it right side up. Their own names, spelled correct, in a row. I was proud as a rooster about it. See that, I told them. Whatever else your old man is, whatever else he does, that part is nailed down. That part is yours. Nora was old enough to know it mattered and pretended she didn't, the way she did with everything I got sentimental about. The boys just wanted to go back outside. But I'd shown them. I'd made a little ceremony of it, because it was the one place I'd got the arithmetic right.

Then I married Sarah, and over the next few years, quiet as she did everything, the beneficiary on that GE policy changed. It didn't change in a fight. Nothing with her changed in a fight. It changed on a Tuesday with a stack of other papers, the refinance and the truck title and the this and the that, and somewhere in the middle a form with my name typed at the top and a line at the bottom, and her voice easy over my shoulder saying it just made sense to have it all in one place, the way she said everything just made sense. Used to be my kids. I'd sat them down and showed them their own names on it once, proud as a rooster. Then it was her. The whole thing, her. And I signed it, because I always signed it.

That's the part I can't dress up. I signed it. She didn't forge a thing. She never had to. She'd found the one man in Salt Lake County who'd hand over anything to anybody who made him feel like staying was a good idea, and she'd married him on purpose.

And the money didn't just sit in a policy waiting on my heart to quit. It moved the whole time I was alive. It moved toward her and hers like water finds the low spot in a floor. There was Marcus's truck, near thirty thousand dollars of Ford I put my name on so a grown man could drive to a job he mostly didn't keep. There was the loan I took off my own retirement, then the second one, because the first one hadn't fixed whatever the first one was supposed to fix, and by then the account had a hole in the bottom of it I was bailing against every month. I paid the household. I paid the propane and the second mortgage and the vet and the orthodontist and the whatever-came-up, and something always came up, and I never once saw a dime float back the other way. I was the wire that ran into that house. Nothing ran out.

And I turned up, going back through my own head up here, a note I banged out one furious Christmas, in my own words, laying the whole trap out plain.

I can see the kitchen. Everybody else gone to bed or gone home. The tree still lit in the front room throwing a little color down the hall, and me at the counter with the electric bill I'd just opened and a golf pencil off the junk drawer, one of those stubby ones with no eraser, which is fitting, because I wasn't in an erasing mood. I wrote small and I wrote hard. I pressed the lead down through the top sheet and dented the three underneath it, and I made a list the way I'd make a parts list for a job, item by item, dollar by dollar. The truck. The retirement, both bites of it. The policy that used to say my kids. Everything I'd poured in, tallied down one side of the page like I was fixing to invoice somebody.

And at the bottom of it, where a total goes, I didn't write a number. I wrote a question. One line in it I can still read clear as neon:

When am I going to be made whole?

A man does not write that sentence about a marriage. He writes it about a robbery he's decided to keep on attending. I wrote it, and then I put the pencil down, and then I went right on attending.

Put it down easy, too. That's the part that turns my stomach up here where stomachs don't turn. I didn't slam anything. I didn't march down the hall and wake her and hold the page up. I set the pencil in the tray, and I folded the note into quarters, and I put it somewhere a folded note goes to never be looked at again, and I turned off the tree lights, and I went to bed beside her. Next morning I made the coffee. I bought the household its propane. I signed the next thing she slid across the counter, whatever it was, and I thanked her for the pen.

Because knowing you're being robbed and getting up off the floor are two different acts, and I only ever managed the first one. I could name the crime to the penny on a Christmas night with a golf pencil, and by breakfast I'd have filed the naming away next to the note, both of them folded down small, both of them somewhere I'd never make myself look.

Wire three, and it's hot enough to raise a blister.